Theatrical Sound Designer :: Essays Papers

Theatrical Sound causality The adept numberer is responsible for handling the audio requirements of a representation instruction execution. This includes the creation of legal effect pool cues, sound reinforcement, immix, and possibly Foley. Sound intriguers give voice the aural, or sound, cues crucial to plays mood. Running water, traffic, the murmuring of a crowd or the strains of medicinal drug are the kinds of sound effects employ as an integral part of a production. (Mauro p.96) Along with the creation of sound, the sound fountain must work in concert with all members of the design team from the lighting designer to the set designer, in order to acquire a total package.One of the first jobs a sound designer has is to read the script and create an effects cue sheet. A cue sheet is a list of the sound effects needed during a performance as determined by stage direction or intuition, such as a telephone ring, thunder, or the sound of a passing train. These sound effe cts may be created live during the performance using Foley, but more often than not the sound designer will utilize a keyboard and sampler, a CD player, or steady a cassette tape deck.Depending on the theater the sound designer may have to employ some sound reinforcement techniques, such as micing the actors with wireless microphones or placing microphone such as PZMs on or around the stage. All of these signals are then routed through a mixing broad, which the sound designer operates during the performance.Although no formal training is required, experience in audio engineering, music theory, and basic stagecraft would be very beneficial. Working in radio or for a studio that dubs sound cues in music could provide excellent experience. (Mauro p.102) Most literature recommends an apprenticeship for breaking into the business, tacking a position as a sound person for example. A sound person implements the requirements but forth by sound designers and might alike be expected to pla ce the microphones and speakers. A sound person earth-closet expect to make anywhere from $250 to $1250 a week. (Field p.271-273) Depending on the market and locus a sound designer can expect to make $300-$ molar concentration a week, to $100,000 a show for a Broadway production.